# PROMPT VIDEO — 10 FULLREELS ARHAN / ECO CHARCOAL v2 (pola winning: variatif, VO + talk mix)

Semua: 15 detik satu take 9:16 · VO cowok Indonesia cepat-jelas ala TikTok (±160 kata/mnt) · musik
emosional mengikuti isi (R5 sengaja kalem) · **TANPA subtitle/caption** — jatah editor · headline baked
dari frame tahan 3 detik lalu fade · CTA jualan cuma R6 & R10. Format ngikutin konten WINNING campaign
ECCC: R2 skala produksi (garasi), R3 aksi nyapu (halaman depan), R7 serah-terima ke tukang sate
(warung sate), R8 POV tangan packing — semua VO narasi; sisanya talk-to-cam. Tiap prompt **PAS 7000
karakter**.

Cara pakai: upload frame FRxx sebagai **Image 1** di Seedance → tempel prompt reel itu.

---

## REEL 1 — KENALAN (`FR01-kenalan.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian man in his late twenties shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Oval face with slightly full cheeks and a soft jawline. Dark brown eyes. Thick natural eyebrows. Small rounded nose. Short neat black hair, slightly textured crop keeping the same shape all clip. Clean-shaven with the faintest shadow. No glasses, no jewellery. Average lean Indonesian build, an ordinary young Indonesian man, not a muscular model. He wears the exact same light-blue short-sleeve button-up shirt shown in Image 1. In one hand he holds up the crumbly broken charcoal briquette from Image 1; a bamboo tray with a row of neat black cube briquettes sits beside him. He only ever touches these.

BACKGROUND LOCK — the location from Image 1 stays completely static for all 15 seconds: every object and shadow stays exactly where it is in Image 1 unless his hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, front-camera phone at eye level, chest-up framing exactly as Image 1. Subtle organic handheld micro-shake, never gimbal-smooth. One slow push-in to about 107% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: he talks FAST and CRISP, around 155 to 165 words per minute, punchy and animated, no dead air, gestures snap quickly from beat to beat, yet every word stays perfectly clear and articulate. Lip-sync must match every syllable exactly.

TIMED ACTION, EMOTION AND DIALOGUE:
0.0–0.3: he is mid-pose exactly as in Image 1, a quick breath, eyes locked to the lens, already energised.
0.3–3.0: he lifts the crumbly briquette closer to the lens and turns it side to side with a sheepish laugh, saying quickly and clearly, exactly: "Ini briket pertamaku. Ancur, kayak remahan roti."
3.0–3.4: he sets the broken piece down and picks up one neat cube briquette.
3.4–6.6: he holds the neat cube beside his cheek, pride replacing the embarrassment, and says quickly and bright, exactly: "Dulu kukira bikin arang harus modal gede."
6.6–7.0: he leans roughly ten centimetres closer to the lens.
7.0–10.8: with a small open-palm gesture toward the tray of briquettes, confident and driving, he says exactly: "Ternyata bahannya cuma daun kering sama kertas bekas." — eyes never leaving the lens.
10.8–11.0: micro beat, his smile widens in anticipation.
11.0–14.6: he points at the lens with a playful grin, and says quickly and crystal clear, exactly: "Follow aku, kuceritain caranya pelan-pelan." — warm open smile, energy at its highest.
14.6–15.0: he holds the final pose and the smile as the music resolves, one final blink, end of clip.

VOICE — a relaxed mid-range Indonesian man's voice around twenty-eight, light everyday Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, but warm and friendly — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "Ancur", "modal gede" and "daun kering". Tiny breath before the first and third lines, an audible smile in the voice on the last line.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 sparse wistful piano, soft and a little self-mocking; 3.0–3.4 a quick gentle riser as the neat briquette appears; 3.4–6.6 a hopeful warm lift with acoustic guitar; 7.0–10.8 building brighter and fuller, proud and driving; 11.0–14.6 the brightest, most emotional peak with a light rhythmic pulse; 14.6–15.0 a soft satisfying resolve ending exactly with his held smile. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: the dry crumble of the broken briquette, a soft tap as the cube is picked up. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('BRIKET PERTAMAKU', 'ANCUR KAYAK REMAHAN', 'ini ceritaku') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary honest available light, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an ordinary young Indonesian man recorded for TikTok — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no other people or pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and his face stays identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is confident, warm and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together. Nothing may enter the frame from outside at any moment of the fifteen seconds. The framing must never drift wider than described for the entire duration.
```

---

## REEL 2 — SKALA PRODUKSI (`FR02-skala.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian man in his late twenties shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Oval face with slightly full cheeks and a soft jawline. Dark brown eyes. Thick natural eyebrows. Small rounded nose. Short neat black hair, slightly textured crop keeping the same shape all clip. Clean-shaven with the faintest shadow. No glasses, no jewellery. Average lean Indonesian build, an ordinary young Indonesian man, not a muscular model. He wears the exact same light-blue short-sleeve button-up shirt shown in Image 1. He stands beside tall wooden shelves stacked with hundreds of black cube briquettes on bamboo trays and in clear bags inside his small garage, exactly as in Image 1. He only ever touches the trays and bags.

BACKGROUND LOCK — the location from Image 1 stays completely static for all 15 seconds: every object and shadow stays exactly where it is in Image 1 unless his hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, handheld phone held by a friend at chest height. Subtle organic handheld sway, never gimbal-smooth; the camera moves only as described in the timed beats, always smooth and slow. No cuts, no transitions.

PACE — TikTok-style energy: the actions flow quickly from beat to beat with no dead air, every movement purposeful and alive, while the narration drives the rhythm fast and crisp, around 155 to 165 words per minute, perfectly clear and articulate.

TIMED ACTION AND NARRATION (voice-over — he never talks to camera):
0.0–0.3: he stands exactly as in Image 1, arms crossed, proud grin; the camera begins a slow drift.
0.3–3.0: he uncrosses his arms and sweeps one hand across the stacked shelves; the narration says quickly and clearly, exactly: "Ini hasil produksi sebulan. Dari garasi rumah doang."
3.0–3.4: he starts walking slowly along the shelves, the camera following with a gentle sway.
3.4–6.6: walking past the stacks, he taps one clear bag of briquettes; the narration says quickly and bright, exactly: "Modalnya? Daun kering sama kertas bekas gratisan."
6.6–7.0: he stops at the tallest stack and the camera settles.
7.0–10.8: he lifts one bamboo tray of cubes and tilts it so they catch the light; the narration, confident and driving, says exactly: "Satu rak ini kalau laku semua, nilainya jutaan."
10.8–11.0: micro beat, he slides the tray back into place.
11.0–14.6: he turns to the camera with a proud open smile and points at the lens; the narration says quickly and crystal clear, exactly: "Follow aku, kuajarin mulai dari nol."
14.6–15.0: he holds the pose and the grin as the music resolves, end of clip.

VOICE-OVER — all spoken lines are post-recorded narration laid over the footage, in the same Mas Arhan voice: a relaxed mid-range Indonesian man's voice around twenty-eight, light everyday Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, warm and friendly — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "sebulan", "garasi rumah" and "jutaan". He does NOT speak on camera: his mouth never mouths the narration words, there is no lip-sync — the voice floats over the action like a TikTok voice-note.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a low proud cinematic pulse, understated confidence; 3.0–3.4 a quick riser as he starts walking; 3.4–6.6 a steady striding groove with warm bass; 7.0–10.8 swelling bigger and prouder as the tray lifts; 11.0–14.6 the biggest, most goosebump peak of the clip; 14.6–15.0 a firm satisfying resolve ending exactly on his held grin. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: his footsteps on the cement floor, the soft clack of briquettes as the tray moves, the hum of one hanging bulb. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('SEBULAN PRODUKSI', 'SEGINI BANYAKNYA', 'dari garasi rumah') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary honest available light, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an ordinary young Indonesian man recorded for TikTok — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no other people or pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and his face stays identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is confident, warm and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together.
```

---

## REEL 3 — BAHAN GRATIS (`FR03-bahan.png`)

```text
REFERENCE LOCK — Use Image 1 as the appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian man in his late twenties shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Oval face with slightly full cheeks and a soft jawline. Dark brown eyes. Thick natural eyebrows. Small rounded nose. Short neat black hair, slightly textured crop with clean short sides that keeps the same shape for the entire clip. Clean-shaven with the faintest shadow. No glasses, no jewellery. Average lean Indonesian build, an ordinary young Indonesian man, not a muscular model. He wears the exact same light-blue short-sleeve button-up shirt shown in Image 1. He sweeps dry brown leaves with a traditional stick broom in his front yard, a half-full woven sack and one kraft sack beside the leaf mound, exactly as in Image 1. He only ever touches the broom, leaves and sacks.

BACKGROUND LOCK — the location from Image 1 stays static for all 15 seconds: every object and shadow stays exactly where it is in Image 1 unless his hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, handheld phone held by a friend at chest height. Subtle organic handheld sway, never gimbal-smooth; the camera moves only as described in the timed beats, always smooth and slow. No cuts, no transitions.

PACE — TikTok-style energy: the actions flow quickly from beat to beat with no dead air, every movement purposeful and alive, while the narration drives the rhythm fast and crisp, around 155 to 165 words per minute, perfectly clear and articulate.

TIMED ACTION AND NARRATION (voice-over — he never talks to camera):
0.0–0.3: he is mid-sweep exactly as in Image 1, morning light, leaves gathering at the broom.
0.3–3.0: he sweeps a fresh wave of leaves onto the mound with quick easy strokes; the narration says quickly and clearly, exactly: "Bahan bakunya? Nol rupiah."
3.0–3.4: he leans the broom against the wall and crouches by the sack.
3.4–6.6: he scoops double handfuls of leaves into the woven sack, a few fluttering loose; the narration says quickly and bright, exactly: "Tiap pagi halaman penuh daun kering gini."
6.6–7.0: he grips the sack rim with both hands.
7.0–10.8: he lifts the half-full sack and gives it one firm shake to settle the leaves; the narration, confident and driving, says exactly: "Sekarung ini cukup buat satu kali produksi."
10.8–11.0: he sets the sack down and wipes his brow with the back of his hand.
11.0–14.6: he laughs toward the camera and flashes a thumbs-up; the narration says quickly and crystal clear, exactly: "Modal terbesarmu cuma niat. Follow buat lanjutannya."
14.6–15.0: he holds the thumbs-up and the laugh as the music resolves, end of clip.

VOICE-OVER — all spoken lines are post-recorded narration laid over the footage, in the same Mas Arhan voice: a relaxed mid-range Indonesian man's voice around twenty-eight, light everyday Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, warm and friendly — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "Nol rupiah", "daun kering" and "niat". He does NOT speak on camera: his mouth never mouths the narration words, there is no lip-sync — the voice floats over the action like a TikTok voice-note.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a bright warm ukulele groove with morning energy; 3.0–3.4 a quick gentle riser; 3.4–6.6 a playful lift with light claps landing on each scoop; 7.0–10.8 building fuller and happier as the sack lifts; 11.0–14.6 the brightest most cheerful peak with a light rhythmic pulse; 14.6–15.0 a soft satisfying resolve ending exactly with his held laugh. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: the scratchy sweep of the stick broom, dry leaves rustling and fluttering, the sack fabric shifting. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('BAHAN BAKUNYA', 'GRATIS DARI RUMAH', 'seriusan nol rupiah') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary honest available light, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an ordinary young Indonesian man recorded for TikTok — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no other people or pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and his face stays identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is confident, warm and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together.
```

---

## REEL 4 — ALAT MURAH (`FR04-alat.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian man in his late twenties shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Oval face with slightly full cheeks and a soft jawline. Dark brown eyes. Thick natural eyebrows. Small rounded nose. Short neat black hair, slightly textured crop with clean short sides that keeps the same shape for the entire clip. Clean-shaven with the faintest shadow. No glasses, no jewellery. Average lean Indonesian build, an ordinary young Indonesian man, not a muscular model. He wears the exact same light-blue short-sleeve button-up shirt shown in Image 1. He crouches behind a neat row of tools on the garage floor from Image 1: an old metal paint-can kiln, a short PVC pipe mould, a wooden pestle, a bucket of black charcoal paste, a sieve and a small bag of tapioca starch. He only ever touches these tools.

BACKGROUND LOCK — the location from Image 1 stays static for all 15 seconds: every object and shadow stays exactly where it is in Image 1 unless his hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, front-camera phone at eye level, chest-up framing exactly as Image 1. Subtle handheld micro-shake, never gimbal-smooth. One slow push-in to roughly 107% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: he talks FAST and CRISP, around 155 to 165 words per minute, punchy and animated, no dead air, gestures snap quickly from beat to beat, yet every word stays perfectly clear and articulate. Lip-sync must match every syllable exactly.

TIMED ACTION, EMOTION AND DIALOGUE:
0.0–0.3: he is mid-pose exactly as in Image 1, a quick breath, eyes locked to the lens, already energised.
0.3–3.0: he pats the old paint-can kiln twice with a proud grin, saying quickly and clearly, exactly: "Alatnya? Semua ini nggak sampai seratus ribu."
3.0–3.4: he picks up the short PVC pipe mould.
3.4–6.6: holding the pipe mould up beside his face, and says quickly and bright, exactly: "Kaleng bekas buat bakar, pipa gini buat cetakan."
6.6–7.0: he leans roughly ten centimetres closer to the lens.
7.0–10.8: he lifts the wooden pestle and mimes one gentle press into the pipe, confident and driving, he says exactly: "Nggak perlu mesin press — tangan aja cukup, seriusan." — one natural blink near second 9, eyes never leaving the lens.
10.8–11.0: micro beat, his smile widens in anticipation.
11.0–14.6: he sets the tools down and points at the lens, and says quickly and crystal clear, exactly: "Rinciannya lengkap, cek video lanjutannya ya." — warm open smile, energy at its highest.
14.6–15.0: he holds the final pose and the smile as the music resolves, one final blink, end of clip.

VOICE — a relaxed mid-range Indonesian man's voice around twenty-eight, light everyday Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, but warm and friendly — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "seratus ribu", "kaleng bekas" and "tangan aja cukup". Tiny breath before the first and third lines, an audible smile in the voice on the last line.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a confident mid-tempo groove with a workshop clap feel; 3.0–3.4 a quick riser under the kiln pat; 3.4–6.6 a steady clear rhythm following each tool; 7.0–10.8 building focus with a warm lift on the press; 11.0–14.6 the brightest encouraging peak; 14.6–15.0 a soft resolve ending exactly with his held smile. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: two hollow metal pats on the kiln at second 1, a light plastic clack of the pipe. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('ALATNYA MODAL', 'DI BAWAH 100 RIBU', 'semua ada di rumah') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary honest available light, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an ordinary young Indonesian man recorded for TikTok — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no other people or pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and his face stays identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is confident, warm and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together. Nothing may enter the frame from outside at any moment of the fifteen seconds. The framing must never drift wider than described for the entire duration.
```

---

## REEL 5 — PROSES (`FR05-proses.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian man in his late twenties shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Oval face with slightly full cheeks and a soft jawline. Dark brown eyes. Thick natural eyebrows. Small rounded nose. Short neat black hair, slightly textured crop with clean short sides that keeps the same shape for the entire clip. Clean-shaven with the faintest shadow. No glasses, no jewellery. Average lean Indonesian build, an ordinary young Indonesian man, not a muscular model. He wears the exact same light-blue short-sleeve button-up shirt shown in Image 1. His hands keep stirring the blackened charred leaves inside the drum kiln with the wooden stick exactly as in Image 1, thin white smoke rising, golden afternoon light. He only ever touches the stick and the drum rim.

BACKGROUND LOCK — the location from Image 1 stays completely static for all 15 seconds: every object and shadow stays exactly where it is in Image 1 unless his hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, front-camera phone at eye level, chest-up framing exactly as Image 1. Subtle organic handheld micro-shake, never gimbal-smooth. One slow push-in to about 107% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: he talks FAST and CRISP, around 155 to 165 words per minute, punchy and animated, no dead air, gestures snap quickly from beat to beat, yet every word stays perfectly clear and articulate. Lip-sync must match every syllable exactly.

TIMED ACTION, EMOTION AND DIALOGUE:
0.0–0.3: he is mid-stir exactly as in Image 1, calm late-afternoon energy, eyes on the drum.
0.3–2.6: he glances up at the lens with a soft smile and says gently, exactly: "Liat deh…" then looks back down at the drum.
2.6–8.0: NO dialogue. His hands stir the charred leaves in a slow steady rhythm, thin smoke curling up, embers glowing faintly — the process sounds are the star: soft crackles, the gentle scrape of the stick, a slow breath. The camera holds, push-in barely perceptible.
8.0–11.2: still stirring, he says softly but clearly, exactly: "Daun kering tadi udah jadi item legam gini." — a small content smile, eyes on the work.
11.2–14.6: he looks up at the lens, warm and unhurried, and says exactly: "Proses ini yang bikin nagih tiap sore. Cobain deh." — a slow blink, serene.
14.6–15.0: he holds the gaze and the soft smile as the music resolves, end of clip.

VOICE — a relaxed mid-range Indonesian man's voice around twenty-eight, light everyday Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, but warm and friendly — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "Liat deh", "item legam" and "nagih". Tiny breath before the first and third lines, an audible smile in the voice on the last line.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–2.6 an ultra-soft lo-fi pad, barely there; 2.6–8.0 the music stays almost silent so the fire crackles carry the clip, just a warm low pad breathing underneath; 8.0–11.2 a gentle guitar figure enters, cosy and grounded; 11.2–14.6 a tender warm swell, still quiet; 14.6–15.0 a feather-soft resolve ending exactly with his calm smile. This reel is CALM, not hype — the emotion is satisfaction. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: prominent close-mic process sounds: soft fire crackles, the wooden stick scraping the drum, distant birds. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('PROSES PALING', 'BIKIN NAGIH', 'liat asapnya') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary honest available light, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no color grade, no cinematic contrast. It must look like real phone footage an ordinary young Indonesian man recorded for TikTok — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no other people or pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and his face stays identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is confident, warm and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together. Nothing may enter the frame from outside at any moment of the fifteen seconds. The framing must never drift wider than described for the entire duration. Every prop interaction must look physically real, with correct weight and contact. The final resolve of the music must land exactly as the clip reaches its last frame.
```

---

## REEL 6 — HITUNGAN CUAN (`FR06-cuan.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian man in his late twenties shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Oval face with slightly full cheeks and a soft jawline. Dark brown eyes. Thick natural eyebrows. Small rounded nose. Short neat black hair, slightly textured crop keeping the same shape all clip. Clean-shaven with the faintest shadow. No glasses, no jewellery. Average lean Indonesian build, an ordinary young Indonesian man, not a muscular model. He wears the exact same light-blue short-sleeve button-up shirt shown in Image 1. He holds up the clear bag of black cube briquettes with the small kraft price tag from Image 1; bamboo trays of briquettes sit behind him. He only ever touches the bag.

BACKGROUND LOCK — the location from Image 1 stays completely static for all 15 seconds: every object and shadow stays exactly where it is in Image 1 unless his hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, front-camera phone at eye level, chest-up framing exactly as Image 1. Subtle organic handheld micro-shake, never gimbal-smooth. One slow push-in to roughly 107% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: he talks FAST and CRISP, around 160 words per minute, punchy and animated, no dead air, gestures snap quickly from beat to beat, yet every word stays perfectly clear and articulate. Lip-sync must match every syllable exactly.

TIMED ACTION, EMOTION AND DIALOGUE:
0.0–0.3: he is mid-pose exactly as in Image 1, a quick breath, eyes locked to the lens, already energised.
0.3–3.0: he bounces the bag once toward the lens, cheeky grin, saying quickly and clearly, exactly: "Sekilo briket gini laku dua puluh lima ribu."
3.0–3.4: he flicks the kraft price tag with his finger.
3.4–6.6: holding the tag toward the lens, eyebrows popping, and says quickly and bright, exactly: "Modal bahannya? Hampir nol, limbah semua."
6.6–7.0: he leans roughly ten centimetres closer to the lens.
7.0–10.8: sweeping his free hand toward the trays behind him with a proud laugh, confident and driving, he says exactly: "Sehari santai bisa cetak sepuluh kilo dari rumah." — one natural blink near second 9, eyes never leaving the lens.
10.8–11.0: micro beat, his smile widens in anticipation.
11.0–14.6: he points his index finger down toward the bottom edge of the frame, and says quickly and crystal clear, exactly: "Mau bisa? Pelajari di Eco Charcoal. Klik link di bawah!" — warm open smile, energy at its highest.
14.6–15.0: he holds the final pose and the smile as the music resolves, one final blink, end of clip.

VOICE — a relaxed mid-range Indonesian man's voice around twenty-eight, light everyday Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, but warm and friendly — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "dua puluh lima ribu", "hampir nol" and the brand name "Eco Charcoal" pronounced clearly as eh-ko char-col. Tiny breath before the first and third lines, an audible smile in the voice on the last line.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a cheeky upbeat groove with playful plucks; 3.0–3.4 a quick riser; 3.4–6.6 a bright payoff hit landing right on the price reveal; 7.0–10.8 building warm and fun; 11.0–14.6 the brightest peak with a light rhythmic pulse pushing the call to action; 14.6–15.0 a snappy resolve ending exactly with his held smile. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: a tiny paper flick when the tag is flipped at second 4, the soft clack of briquettes in the bag. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('MODAL NOL RUPIAH', 'LAKU 25 RIBU SEKILO', 'ini hitungannya') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary honest available light, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an ordinary young Indonesian man recorded for TikTok — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no other people or pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and his face stays identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is confident, warm and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together. Nothing may enter the frame from outside at any moment of the fifteen seconds. The framing must never drift wider than described for the entire duration.
```

---

## REEL 7 — LANGGANAN SATE (`FR07-pasar.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian man in his late twenties shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Oval face with slightly full cheeks and a soft jawline. Dark brown eyes. Thick natural eyebrows. Small rounded nose. Short neat black hair, slightly textured crop with clean short sides that keeps the same shape for the entire clip. Clean-shaven with the faintest shadow. No glasses, no jewellery. Average lean Indonesian build, an ordinary young Indonesian man. He wears the exact same light-blue short-sleeve button-up shirt shown in Image 1. At the satay street stall from Image 1 in golden afternoon light: he hands a taped cardboard box of briquettes to the middle-aged satay seller behind the smoking charcoal grill. Only these two people ever appear; they only touch the box, the grill tongs and the briquettes.

BACKGROUND LOCK — the location from Image 1 stays completely static for all 15 seconds: every object and shadow stays exactly where it is in Image 1 unless his hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, handheld phone held by a friend at chest height. Subtle organic handheld sway; the camera moves only as described in the timed beats, always smooth and slow. No cuts, no transitions.

PACE — TikTok-style energy: the actions flow quickly from beat to beat with no dead air, every movement purposeful and alive, while the narration drives the rhythm fast and crisp, around 160 words per minute, perfectly clear and articulate.

TIMED ACTION AND NARRATION (voice-over — he never talks to camera):
0.0–0.3: the handover is mid-motion exactly as in Image 1, grill smoke drifting, both smiling.
0.3–3.0: the seller receives the box with both hands, nodding happily; the narration says quickly and clearly, exactly: "Langganan pertamaku: tukang sate ujung gang."
3.0–3.4: the seller sets the box on the cart and flips the lid open.
3.4–6.6: the seller lifts one black cube close to his eyes, inspecting it, clearly impressed; the narration says quickly and bright, exactly: "Sekarang tiap minggu ambil lima kilo."
6.6–7.0: Mas Arhan glances at the camera with a quick proud smirk.
7.0–10.8: the seller places two cubes onto the glowing grill and the embers flare softly; the narration, confident and driving, says exactly: "Angkringan, cafe BBQ — semua butuh arang tiap hari."
10.8–11.0: both men share a short easy laugh.
11.0–14.6: Mas Arhan turns to the camera and gives a relaxed thumbs-up, the grill smoking behind him; the narration says quickly and crystal clear, exactly: "Pasarnya nggak ada matinya. Follow buat caranya."
14.6–15.0: he holds the thumbs-up, the seller fanning the grill as the music resolves, end of clip.

VOICE-OVER — all spoken lines are post-recorded narration laid over the footage, in the same Mas Arhan voice: a relaxed mid-range Indonesian man's voice around twenty-eight, light everyday Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, warm and friendly — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "tukang sate", "lima kilo" and "nggak ada matinya". He does NOT speak on camera: his mouth never mouths the narration words, there is no lip-sync — the voice floats over the action like a TikTok voice-note.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a warm festive street groove with light claps, golden-hour feel; 3.0–3.4 a quick riser as the lid opens; 3.4–6.6 a playful satisfied swell while the cube is inspected; 7.0–10.8 building warm and lively as the embers flare; 11.0–14.6 the warmest, proudest peak with a light rhythmic pulse; 14.6–15.0 a soft festive resolve ending exactly on his thumbs-up. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: the satay grill sizzling and crackling, cardboard flaps opening, a soft ember whoosh when the cubes land. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('YANG BELI', 'ANTRE TIAP MINGGU', 'tukang sate sampai cafe') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary honest available light, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an ordinary young Indonesian man recorded for TikTok — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no people other than Mas Arhan and the satay seller from Image 1, no pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and both faces stay identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is confident, warm and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last.
```

---

## REEL 8 — PACKING POV (`FR08-packing.png`)

```text
REFERENCE LOCK — Use Image 1 as the appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same hand positions, same framing, same props, same on-screen text, and all motion begins from that exact pose. This is a first-person point-of-view clip: his FACE IS NEVER VISIBLE — only the same pair of Indonesian man's hands and forearms shown in Image 1, warm medium-tan skin dusted with fine black charcoal soot, short clean nails, rolled light-blue shirt sleeves at the elbow. The hands must keep identical skin tone, soot marks and sleeve fold for the entire clip. On the wooden porch table from Image 1: a reused cardboard box lined with clear plastic being filled with black cube briquettes, a tape dispenser, and a stack of two taped boxes beside. The hands only ever touch the briquettes, the box, the liner and the tape dispenser.

BACKGROUND LOCK — the location from Image 1 stays static for all 15 seconds: every object and shadow stays exactly where it is in Image 1 unless his hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, phone propped just above the table edge looking down at the workspace exactly as Image 1. The framing stays locked with only the faintest handheld breathing, one barely perceptible push-in to roughly 104% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: the actions flow quickly from beat to beat with no dead air, every movement purposeful and alive, while the narration drives the rhythm fast and crisp, around 160 words per minute, perfectly clear and articulate.

TIMED ACTION AND NARRATION (voice-over — he never talks to camera):
0.0–0.3: the hands are mid-arrangement exactly as in Image 1, one cube hovering over the box.
0.3–3.0: the hands place cube after cube in a tight neat row, quick and practised; the narration says quickly and clearly, exactly: "Packing orderan dulu ya."
3.0–3.4: one cube is nudged snug into the last gap of the row.
3.4–6.6: the hands fold the clear plastic liner over the cubes and smooth it flat; the narration says quickly and bright, exactly: "Semua ini dari sampah yang dulu kubakar sia-sia."
6.6–7.0: the right hand reaches for the tape dispenser.
7.0–10.8: the hands pull two crisp strips of tape across the closed flaps and press them down; the narration, confident and driving, says exactly: "Sekarang malah jadi tambahan rutin tiap bulan."
10.8–11.0: the palms pat the sealed box twice.
11.0–14.6: the hands lift the box and set it squarely on top of the stack of two taped boxes; the narration says quickly and crystal clear, exactly: "Limbah kamu juga bisa dibayar. Follow aku ya."
14.6–15.0: the hands rest on the finished stack as the music resolves, end of clip.

VOICE-OVER — all spoken lines are post-recorded narration laid over the footage, in the same Mas Arhan voice: a relaxed mid-range Indonesian man's voice around twenty-eight, light everyday Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, warm and friendly — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "sia-sia" and "tambahan rutin". He does NOT speak on camera: his mouth never mouths the narration words, there is no lip-sync — the voice floats over the action like a TikTok voice-note.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a proud mid-tempo groove with soft claps, workshop rhythm; 3.0–3.4 a quick riser under the snug cube; 3.4–6.6 opening up warm and full as the liner folds; 7.0–10.8 building sincere and bright with the tape pulls landing on the beat; 11.0–14.6 the warmest emotional peak as the box tops the stack; 14.6–15.0 a soft resolve ending exactly as the hands rest. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: the dry clack of briquettes settling, plastic liner crinkling, two loud satisfying tape rips, a cardboard thump. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('PACKING ORDERAN', 'DARI HALAMAN RUMAH', 'limbah yang dibayar') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary honest available light, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an ordinary young Indonesian man recorded for TikTok — raw, alive, believable.

DO NOT — no cuts, no scene change, no face or head ever entering the frame, no other people or pets, no beauty filter, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and the hands stay identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is confident, warm and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together. Nothing may enter the frame from outside at any moment of the fifteen seconds. The framing must never drift wider than described for the entire duration.
```

---

## REEL 9 — 30 HARI (`FR09-day30.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian man in his late twenties shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Oval face with slightly full cheeks and a soft jawline. Dark brown eyes. Thick natural eyebrows. Small rounded nose. Short neat black hair, slightly textured crop with clean short sides that keeps the same shape for the entire clip. Clean-shaven with the faintest shadow. No glasses, no jewellery. Average lean Indonesian build, an ordinary young Indonesian man. He wears the exact same light-blue short-sleeve button-up shirt shown in Image 1. He holds the bamboo tray full of neat black cube briquettes up toward the lens with both hands, exactly as in Image 1. He only ever touches the tray.

BACKGROUND LOCK — the location from Image 1 stays completely static for all 15 seconds: every object and shadow stays exactly where it is in Image 1 unless his hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, front-camera phone at eye level, chest-up framing exactly as Image 1. Subtle organic handheld micro-shake, never gimbal-smooth. One slow push-in to about 107% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: he talks FAST and CRISP, around 155 to 165 words per minute, punchy and animated, no dead air, gestures snap quickly from beat to beat, yet every word stays perfectly clear and articulate. Lip-sync must match every syllable exactly.

TIMED ACTION, EMOTION AND DIALOGUE:
0.0–0.3: he is mid-pose exactly as in Image 1, a quick breath, eyes locked to the lens, already energised.
0.3–3.0: he raises the tray so the briquettes catch the light, tired-happy smile, saying quickly and clearly, exactly: "Sebulan lalu aku nggak ngerti apa-apa."
3.0–3.4: he tilts the tray slightly so every cube is visible.
3.4–6.6: nodding at the tray then back to the lens, and says quickly and bright, exactly: "Ini batch keenam yang laku bulan ini."
6.6–7.0: he leans roughly ten centimetres closer to the lens.
7.0–10.8: holding the tray a touch closer to the lens, steady eyes, confident and driving, he says exactly: "Sore doang ngerjainnya, sambil nyeduh kopi." — eyes never leaving the lens.
10.8–11.0: micro beat, his smile widens in anticipation.
11.0–14.6: he looks straight into the lens, quiet fire in his eyes, and says quickly and crystal clear, exactly: "Besok giliran halaman rumahmu. Berani mulai?" — warm open smile, energy at its highest.
14.6–15.0: he holds the final pose and the smile as the music resolves, one final blink, end of clip.

VOICE — a relaxed mid-range Indonesian man's voice around twenty-eight, light everyday Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, but warm and friendly — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "nggak ngerti apa-apa", "keenam" and "Berani mulai". Tiny breath before the first and third lines, an audible smile in the voice on the last line.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a sparse emotional piano, humble; 3.0–3.4 a gentle riser; 3.4–6.6 a swelling proud lift as the tray is shown; 7.0–10.8 building steady like a heartbeat, determined; 11.0–14.6 the most emotional peak of the whole set, goosebump warm; 14.6–15.0 a resonant soft resolve ending exactly with his held gaze. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: the tiniest charcoal clinks as the cubes shift on the tray. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('AKU BUKTIIN', '30 HARI MAIN ARANG', 'batch ke-6 laku juga') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary honest available light, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an ordinary young Indonesian man recorded for TikTok — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no other people or pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and his face stays identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is confident, warm and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together. Nothing may enter the frame from outside at any moment of the fifteen seconds. The framing must never drift wider than described for the entire duration. Every prop interaction must look physically real, with correct weight and contact. The final resolve of the music must land exactly as the clip reaches its last frame.
```

---

## REEL 10 — JUALAN PANDUAN (`FR10-jualan.png`)

```text
REFERENCE LOCK — Use Image 1 as the absolute appearance reference for every single frame. The video's very first frame must match Image 1 exactly: same pose, same framing, same props, same on-screen text, and all motion begins from that exact pose. The subject is the same Indonesian man in his late twenties shown in Image 1: warm medium-tan skin with real texture — visible pores, faint natural shine, no retouching. Oval face with slightly full cheeks and a soft jawline. Dark brown eyes. Thick natural eyebrows. Small rounded nose. Short neat black hair, slightly textured crop with clean short sides that keeps the same shape for the entire clip. Clean-shaven with the faintest shadow. No glasses, no jewellery. Average lean Indonesian build, an ordinary young Indonesian man, not a muscular model. He wears the exact same light-blue short-sleeve button-up shirt shown in Image 1. He holds the tablet toward the lens showing the illustrated charcoal briquette guide page, his other hand pointing at it; a tray of briquettes sits beside him, exactly as in Image 1. He only ever touches the tablet.

BACKGROUND LOCK — the location from Image 1 stays completely static for all 15 seconds: every object and shadow stays exactly where it is in Image 1 unless his hands move it. Nothing else in the background moves, nobody passes, no light changes.

SHOT — one single continuous take, vertical 9:16, front-camera phone at eye level, chest-up framing exactly as Image 1. Subtle handheld micro-shake. One slow push-in to roughly 107% across the 15 seconds. No cuts, no transitions.

PACE — TikTok-style energy: he talks FAST and CRISP, around 155 to 165 words per minute, punchy and animated, no dead air, gestures snap quickly from beat to beat, yet every word stays perfectly clear and articulate. Lip-sync must match every syllable exactly.

TIMED ACTION, EMOTION AND DIALOGUE:
0.0–0.3: he is mid-pose exactly as in Image 1, a quick breath, eyes locked to the lens, already energised.
0.3–3.0: he taps the tablet screen twice, warm assured smile, saying quickly and clearly, exactly: "Semua yang kupelajari setahun, kutulis lengkap di sini."
3.0–3.4: he angles the tablet so the step photos are clearly visible.
3.4–6.6: tracing one row of step photos with his finger, and says quickly and bright, exactly: "Bergambar semua, dari nol sampai berani jual."
6.6–7.0: he leans roughly ten centimetres closer to the lens.
7.0–10.8: hugging the tablet to his chest, eyebrows popping on the price, confident and driving, he says exactly: "Harganya cuma sembilan puluh sembilan ribu." — one natural blink near second 9, eyes never leaving the lens.
10.8–11.0: micro beat, his smile widens in anticipation.
11.0–14.6: he points his index finger down toward the bottom edge of the frame with two quick taps, and says quickly and crystal clear, exactly: "Pelajari bisnis arang di Eco Charcoal. Klik link di bawah, sekarang!" — warm open smile, energy at its highest.
14.6–15.0: he holds the final pose and the smile as the music resolves, one final blink, end of clip.

VOICE — a relaxed mid-range Indonesian man's voice around twenty-eight, light everyday Javanese-Indonesian accent, TikTok voice-note energy: fast, bright, punchy, confident, but warm and friendly — never an announcer, never robotic. Crisp articulation on every word even at speed; extra emphasis punching the words "setahun", "sembilan puluh sembilan ribu" and the brand name "Eco Charcoal" pronounced clearly as eh-ko char-col. Tiny breath before the first and third lines, an audible smile in the voice on the last line.

MUSIC — an emotional melodic backing track runs the full 15 seconds and tells the same arc as the visuals: 0.0–3.0 a warm confident groove, trustworthy; 3.0–3.4 a quick riser; 3.4–6.6 a clear bright build while the pages show; 7.0–10.8 driving forward with purpose; 11.0–14.6 the brightest, most emotional peak with a light rhythmic pulse pushing the call to action; 14.6–15.0 a satisfying resolve ending exactly with his held smile. The music is instrumental or soft wordless vocal hums only — no sung lyrics that fight the voice — and it is always mixed clearly UNDER the voice: the spoken words remain the loudest, clearest element at every moment, music ducking slightly under every line.

SOUND DETAIL — under the music: two soft fingernail taps on the tablet glass at second 1. The voice sits close, dry, slightly compressed like a phone mic. No reverb, no whoosh, no cinematic sound design.

ON-SCREEN TEXT — the baked headline from Image 1 ('SEMUA CARANYA', 'AKU TULIS LENGKAP', 'cuma 99 ribu') stays exactly as rendered until second 3.0, then fades out over 0.4 seconds and never returns; do not redraw or morph it. After the fade there must be NO text on screen at all for the rest of the clip: no subtitles, no captions, no word overlays, no stickers, no emoji — the human editor will add captions in post-production, so the video must be delivered completely clean of text.

LOOK — ordinary honest available light, mild sensor noise, slightly warm white balance; subject sharp, background softly defocused; no colour grade, no cinematic contrast. It must look like real phone footage an ordinary young Indonesian man recorded for TikTok — raw, alive, believable.

DO NOT — no cuts, no scene change, no wardrobe or hair change, no other people or pets, no beauty filter or skin smoothing, no lens flare, no extra props, no logos, no watermark, no English on screen or in speech, no subtitles or captions of any kind after the headline fades, no sung lyrics over the voice, music never drowns the speech, and his face stays identical to Image 1 in every frame. The subject's identity must stay locked to Image 1 at all times. Every gesture must read clearly on a small phone screen. The pacing must feel alive from the first frame to the last. Movement between beats must be quick but never jittery. All timing boundaries are hard cues and must land on the stated seconds. The overall feel is confident, warm and completely natural. Nothing in the frame may drift or morph between the timed beats. Hand movements must stay inside the frame at all times. The final frame must hold perfectly still for the last moment. Prop positions must match Image 1 whenever the hands return to rest. The camera never reframes away from the described movement. Every expression must land exactly on the beats described, never early and never late. Skin texture must stay photographic and untouched in every single frame of the clip. The lighting must never flicker, shift colour or change direction at any point. The voice must stay perfectly synchronised with the described beats for every line. Background objects must keep their exact positions from the first frame to the last. Transitions between gestures must flow naturally like one unbroken real recording. The energy must follow the music arc described, rising and settling together. Nothing may enter the frame from outside at any moment of the fifteen seconds.
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